While in residence at Bundanon I developed my project exploring the interspecies ‘companionship’ between animals and minerals, and more specifically the animal-calcium ‘kinship’ that has led to the evolution of bones. I spent time studying animal bones on-site at Bundanon, especially wombat and kangaroo bones, marsupials who are resident in magnificent abundance. I am using native fauna bones to make bone china objects, bringing into dialogue two seemingly incongruent ideas: the ‘animality’ of bone china, and the ‘minerality’ of animals. I’m interested in the metaphoric and deconstructive gesture this offers, revealing underlying structures of material connectivity between animal and mineral, living and non-living, not immediately available to our senary perception. My project also explores forms of listening (human, marsupial, bird) and forms of paying homage.
The 2 weeks I was in residence at Bundanon offered me an intensive, immersive, uninterrupted time to sink into the imaginative and material spaces of the project, and forms of nourishment that are unique to this place. I’m beyond grateful for the opportunity and wish to thank the Sir William Dobell Art Foundation and the Bundanon Trust for their generous, timely and thoroughly ‘on-topic’ support. I feel myself part of a long line of artists, stretching into the past and future, who have been and will be nourished by this place, which in itself was comforting, generative and inspiring.
